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Multichannel Formats

Overview of standard multichannel audio formats and their applications.

Naming Convention

The X.Y.Z format indicates:

  • X: Main channels (ear level)
  • Y: LFE/subwoofer channels
  • Z: Height channels (Atmos/immersive)

Example: 7.1.4 = 7 main + 1 LFE + 4 height

Standard Configurations

Stereo (2.0)

The base of all reproduction:

  • L (Left): -30°
  • R (Right): +30°

5.1 Surround

Cinema and home theater standard:

ChannelPositionAngle
LFront Left-30°
CCenter
RFront Right+30°
LsSurround Left-110°
RsSurround Right+110°
LFESubwoofer-

7.1 Surround

Adds lateral/rear channels:

ChannelPositionAngle
L, C, RFront-30°, 0°, +30°
LssSide Left-90°
RssSide Right+90°
LrsRear Left-135°
RrsRear Right+135°
LFESubwoofer-

7.1.4 (Dolby Atmos)

7.1 + 4 height channels:

ChannelPosition
7.1At ear level
LtfTop Front Left
RtfTop Front Right
LtrTop Rear Left
RtrTop Rear Right

Channel Mapping Standards

ITU-R BS.775

International standard for 5.1:

L, R, C, LFE, Ls, Rs

SMPTE

Professional standard:

L, R, C, LFE, Ls, Rs (5.1)
L, R, C, LFE, Lss, Rss, Lrs, Rrs (7.1)

Film Standard

Cinema format (different from home):

L, C, R, Ls, Rs, LFE

Downmix

Converting from one format to a simpler one:

5.1 to Stereo

L' = L + 0.707×C + 0.707×Ls
R' = R + 0.707×C + 0.707×Rs

Downmix Verification

Always check compatibility:

  • Mono (L+R sum)
  • Stereo
  • Target configuration

Ambisonic Formats

B-Format (1st Order)

Historical format, 4 channels: W, X, Y, Z

ChannelRepresentation
WOmnidirectional
XFigure-8 front/back
YFigure-8 left/right
ZFigure-8 up/down

AmbiX

Normalized format (ACN + SN3D), most widely used today.

OrderChannelsResolution
1 (FOA)4~45°
29~30°
3 (HOA)16~22°
425~18°
536~15°

FuMa vs AmbiX

AspectFuMaAmbiX
Channel orderWXYZWYZX (ACN)
NormalizationMaxNSN3D
UsageLegacyCurrent standard

Spacelite and Formats

Spacelite works with a flexible approach:

  • Input: Stereo (2.0)
  • Output: 1 to 16 channels per bus
  • HSR: Distributes stereo across configured outputs

This allows adaptation to any format by adjusting:

  • Number of active outputs
  • Speaker positions
  • HSR width and position parameters